Sticking to my promise to expose more complete details on my workflow for select projects, we’re going to look at a detailed workflow leveraging one of Lightroom 2.0’s localized correction tools.

This post roots itself in my previous tutorial on faking depth of field in your images. The one caveat to that technique is the round trip journey to Photoshop to finalize the effect.

With the release of Lightroom 2.0 we now have some very nice new features we can exploit - the most interesting to me being the localized corrections palette found in the Develop Module.

{note: for complete details on any features described herein please download the Lightroom 2.0 manual or use the Lightroom 2.0 Adobe Live Docs Repository - we love them both! And remember, all tool, panel and module references are always in BOLD for easy reference as you map our workflow to Lightroom)

On a recent shoot, I decided to put the localized corrections tool to the test. This technique gives me more of a ’selective’ soft focus effect which is completely controllable and non-destructive. The fact that this is all contained in Lightroom makes this a mandatory chop to put in your bag.

First, as always, let’s start with our final images:

Here’s where I started in Lightroom. I’ll explain how I applied the soft focus technique on one of the images as the other image used exactly the same workflow.

Before and after:

Whether you convert to black and white is entirely up to you. This technique will work regardless.

I’ll hone in on the image and make my first adjustment: select the clarity slider and drag it all the way to -100:

As you can see in this before and after, I have blown out my whites and softened my image - adding a bit of glow to the edges …

… which i exactly what I want. Using an Adjustment Brush we can 'sharpen' selective parts of the image - this is where the magic happens!

Next I’ll head over to the Adjustment Brush to setup my localized adjustments for my image:

With my Adjstment Brush selected I’ll move the clarity slider to +100, and set my brush size (ie. 20.1):

… and paint back in those areas I want to selectively bring back into focus. As you can see here, the red denotes those areas where I used the Adjustment Brush to tone down the effects of the previous clarity adjustment of -100:

That's it! I like to keep things real simple ...

The adjustment brush and all the other localized adjustment tools bring an entirely new level of sophistication and capabilities to Lightroom that were often relegated to Photoshop - present example included.

Until next time …

|Brandon Oelling
x=photography+consulting - technology. leadership. commitment.