Digital Media | Spotlight: Photography | Inside Lightroom | Blogs
Localized Adjustments in Lightroom 2.0 Beta
It seems like every portrait session I shoot there’s a request for at least one hand colored look image. Until now, that meant a trip to Photoshop, even if that was the only adjustment to be made. With the addition of the Masking brush in Lightroom 2.0 beta, I can now do much of this right in Lightroom.
It’s a different approach than Photoshop though, and it’s one that had me wondering about the usefulness for this type of editing. In Photoshop, I’d typically add a grayscale layer to the image and then mask out the area I wanted to see in color. With Lightroom, I have to work in the opposite direction - I desaturate everything except the area I want in color.
To start out, I’ve selected the Mask brush, and set the Paint effect to Saturation. To get grayscale, I adjust the Effect to -100.
I
I’ll normally start with a large brush size to clear the bulk of the image up. The Auto Mask option helps here, and does a good job of protecting edges from adjustment, and when you’re dealing with something like the bouquet in this image, that’s a welcome helping hand.
After the initial pass, I’ll go back in with smaller brush sizes to clean up areas. In the example shown here, I needed to fix the bride’s chin where some color had been left, and the groom’s flowers where I desaturated them. You can see the multiple pins showing where each mask is
Of course, if you make a mistake, you can always delete that mask, which has the added benefit of watching the nifty little cloud animation (hey, I’m easily amused, what can I say?).
The new tools in the Lightroom 2.0 beta look very promising, and I’m finding new ways to avoid that trip into Photoshop, and speed up my image processing time. I’d love to hear how you’re making use of the new features.
Here are the before and after versions of the image:
Comments (1)






This is a very interesting application of the "localized adjustments" feature - I would have never thought of using this feature to leave just a few objects in (desaturated) color. Of course it's a very good idea, and just shows that different photographers will have different needs.
However, I am not sure what you mean when you say:
That's true (I like the animated cloud / smoke too), but you could also just edit the mask if you make a mistake - LR allows different brushes, to my (pleasant) surprise, including an "option-key" eraser brush. This way, you can add to or subtract from a single selection as you please, and have a pretty complex mask, without the need to create several of them (which, on my Mac, tends to slow LR down quite a bit). Of course, you won't be able to enjoy the cloud thing then :).
I'll try your technique - it opens up all kinds of possibilities. I use these new tools slightly differently - more on the subject, plus a comparison with u-point (Viveza), on my blog at 42itous.com
- George