This is the last photo I took during my all-night vigil in the desert. The photo looks generally southwest, up towards the crest of the Sandstone Ridge near the Wave in the Vermillion Cliffs Wilderness of Utah. My last battery gave out after the thirty minute exposure had finished, but before the camera had finished processing it. My speculation is...

As dusk darkened to night, my exposures got longer and longer until the swirl trails of the stars echoed the swirls in the rock of the Wave. View this image larger. To take this photo, I needed to wait until darkness out in the desert with the ordeal that was to come. But, I say, since all's well that ends...

The sun in the photo below apparently frames the northern tower of the Golden Gate Bridge in a perfect circle. In fact, there are apparently three "suns" in the photo. One sun is real, two of them are optical artifacts. The fake suns, including the perfect one framing the Golden Gate tower are caused by an optical phenomenon called double...

I like the way this three second time exposure makes the car lights look abstracted but still recognizable. I took this photo early in the evening from the location across the mouth of the Waldo Tunnel described in Alignment. I used a long lens, my 70-200 VR zoom combined with a 2X telextender at the maximum focal length. The...

From my rocky perch jutting out into the ocean near Sculptured Beach, I played with photographing the waves as the sun set. This tripod-mounted 1/4 of a second exposure caught the abstract expression of a wave crashing, while retaining some literal relationship to the play of warm light on the wave against the cool blue of the surrounding ocean. Wave,...

On a balmy afternoon in late October I studied the topographic map of the USGS San Francisco North Quadrant. This map shows (among other areas) the hills above Fort Baker outside Sausalito, and the northern side of the Golden Gate Bridge. It seemed to me that there was a ridge that could be climbed going up from above Fort Baker....

When I sat down with Albert Watson in New York, I knew what I wanted to talk about. I wanted to hear how the industry has changed over the course of his 250 Vogue covers. I wanted to know how he prepared for the only wedding he's ever shot: Prince Andrew's royal marriage. And I wanted to understand the difference...

Just back from my first experience of PhotoPlus, and so glad I have been procrastinating on submitting my 2008 travel/conference budget. Now I know that this one goes to the top of the priority list. It seems everyone brings their A game to the Javitz Center for this show, and the result is an ambiance of enthusiasm, professionalism, collegiality, and...

I thought it would be interesting to see my image of Church Towers from the Yosemite Valley floor in winter as it might have looked as a palladium or platinum toned print. Here it is: Beyond the Forest: Toned, photo by Harold Davis. View this image larger. First I converted the image to black and white in Photoshop, using the...

As we get set to do the final push on Mikkel's Photoshop CS3 RAW book, this news via Adobe's John Nack is certainly timely. Although the ubiquitous Lightroom vs. Aperture debate rages on (and sometimes clouds our perception), turns out most professional photographers polled by Infotrends still use the classic Adobe Camera Raw/Bridge/Photoshop combo for their RAW workflow. No surprise...