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<title>O&apos;Reilly Digital Media Blog - Creativity</title>
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<id>tag:blogs.oreilly.com,2007-12-17:/digitalmedia//8</id>
<updated>2009-03-20T06:30:25Z</updated>
<subtitle>O&apos;Reilly Digital Media Blog</subtitle>
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<entry>
<title>Web Presence for Publishers . . . What Works?</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/03/web-presence-for-publishers.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.35586</id>

<published>2009-03-13T00:43:55Z</published>
<updated>2009-03-20T06:30:25Z</updated>

<summary><![CDATA[On March 21, I'll be leading a workshop on &ldquo;Web Presence&rdquo; at BAIPA's annual Get Published Conference in San Anselmo, California. I put that in quotes because it's a wonderfully vast topic, and I'd love to hear your thoughts. What creative ways have you discovered to promote (or find) books online?...]]></summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="books" label="books" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="publishing" label="publishing" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="socialnetworking" label="social networking" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="web" label="web" scheme="http://www.sixapart.com/ns/types#tag" />

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<![CDATA[<p>On March 21, I'll be leading a workshop on  &ldquo;Web Presence&rdquo; at BAIPA's  annual <a href="http://www.baipa.net/Workshop/" target="_blank">Get Published Conference</a> in San Anselmo, California. I put that in quotes because it's a wonderfully vast topic, and I'd love to hear your thoughts. What creative ways have you discovered to promote (or find) books online?</p>]]>
<![CDATA[<div style="float:right; margin-left:10px; width:196px;"><a href="http://www.macdevcenter.com/pub/a/mac/osx2004/wednesday_photos.html" target="_blank"><img src="http://blogs.oreilly.com/digitalmedia/upload/2009/03/copeland-battino-osx.jpg" alt="Copeland Battino OS X Conference" width="196" /></a><br />
  <em>Interviewing Police drummer Stewart Copeland (who wrote the foreword to one of my books) at O'Reilly's <a href="http://www.macdevcenter.com/pub/a/mac/osx2004/wednesday_photos.html" target="_blank">OS X conference</a>.</em></div>
<p>BAIPA (the Bay Area Independent Publishers Association) is a friendly group of self-publishing authors who meet every month to share tips and insights. The last time I spoke there, I described  the unexpected opportunities I've enjoyed through publishing five books in the last five years. I called the talk <em><a href="http://blogs.oreilly.com/digitalmedia/2008/12/5-buck-self-publishing-workshop.html" target="blank">Your Book Is Just the Beginning</a>: Growing a Publishing Business the Holistic Way.</em>
</p>
<p>Holistic could be spelled "whole-istic"; it means the whole is greater than the parts. Writing and promoting books enabled me to explore and combine so many interests &mdash; interviewing, graphic design, audio production, music composition, video, live performance, conference speaking &mdash; and all of them have parallels or enhancements online.</p>
<div style="float:right; margin-left:10px; width:196px;"><img src="http://blogs.oreilly.com/digitalmedia/upload/2009/03/Storycard-Frame-196.jpg" alt="Storycard-Frame-196.jpg" width="196"/><em>The kamishibai version of Jack and the Beanstalk.</em></div>
One of my favorite examples, which I used in the last BAIPA talk, was when the British Broadcasting Corporation (BBC) contacted me after reading a <a href="http://en.wikipedia.org/wiki/Jack_%26_the_Beanstalk#External_links" target="_blank">ten-word link</a> I'd left about one of my books on Wikipedia. The book is a retelling of "Jack and the Beanstalk" in Japanese <em>kamishibai</em> (paper theater) format. In a happy coincidence, last year was the 200th anniversary of the first publication of "Jack," and the BBC was producing a radio special on the global impact of the tale.<br /><br />
</p>
<p>Citing my audio background, I offered to record an interview with my wife Hazuki about the Japanese impression of the story. The BBC ran the resulting show on New Year's Day 2008 and again at the end of the year. Here's an excerpt of the half-hour program:</p>
<script type="text/javascript" src="http://static.delicious.com/js/playtagger.js"></script>
<p><a href="http://blogs.oreilly.com/digitalmedia/upload/2009/03/BBC-interview-highlight.mp3" target="_blank">BBC Interview Excerpt</a></p>
<p>All that just from ten words I typed one afternoon. That's what delights me about the Web: It's always out there working for you, and you never know when a connection will bubble up.</p>
<p>What are some of your success stories? How do you discover &#8212; or help others connect with &#8212; books online? Please leave a comment or link below; I'll add them to the workshop and then report back on the new ideas they generate. In the meantime, I'll be checking out O'Reilly's extensive <a href="http://oreilly.com/pub/e/1186" target="blank">Social Media for Publishers</a> webcast.</p>]]>
</content>
</entry>

<entry>
<title>CS-4U - Creative Stimulus For You!</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/03/cs-4u---creative-stimulus-for.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.35531</id>

<published>2009-03-06T23:09:40Z</published>
<updated>2009-03-06T23:16:12Z</updated>

<summary>

No doubt these are tough times - times that can get one down, emotionally and creatively. But heck, are you going to let a tanking stock market sink your digital imaging creativity? Hope not!

However, if the winds have been knocked out of your creative sails, here are a few ideas that may stimulate the creative artist within. At the very least, I hope they distract your from the stock market chart, which looks like a bad - a very bad - histogram.

</summary>
<author>
<name>Rick Sammon</name>
<uri>http://www.oreillynet.com/pub/au/3255</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

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<category term="digitalimaging" label="digital imaging" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photoshop" label="photoshop" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="plugins" label="plug-ins" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[ <div class="ap_r"><a href="http://blogs.oreilly.com/digitalmedia/upload/2009/03/My%20Photo%20BooksScreenSnapz001.jpg" class="highslide" onclick="return hs.expand(this)"><img src="http://blogs.oreilly.com/digitalmedia/upload/2009/03/My%20Photo%20BooksScreenSnapz001.jpg" alt="My Photo BooksScreenSnapz001.jpg" title="Click to enlarge" width="148"/></a></div>

No doubt these are tough times - times that can get one down, emotionally and creatively. But heck, are you going to let a tanking stock market sink your digital imaging creativity? Hope not!

However, if the winds have been knocked out of your creative sails, here are a few ideas that may stimulate the creative artist within. At the very least, I hope they distract your from the stock market chart, which looks like a bad - a very bad - histogram.

1)
Make an on-line book. I just made one with <a href="http://www.mpix.com">Mpix</a> that I&#8217;ve been planning to make for about two years: Life Lessons We Can Learn From Mother Nature. What fun, not only making the book, but learning the software. Come up with a theme, pick your best shots, and get published!

2)
Test-drive a plug-in. Hundreds of plug-ins are available via the Web that expand the capability and creativity of Photoshop, Photoshop Elements, Aperture and Lightroom. Most are available for a free trail. Download a few and stay up to midnight creating one-of-a-kind effects. To get started, check out the <a href="http://pluginexperience.com">Plug-in Experience </a>- a site I started just for fun. Send me a plug-in picture and I&#8217;ll help to make your more famous!

3)
Go on a one-lens adventure. Challenge yourself. Go on-location with only one lens and see what kind of magic you can create in camera. You may be pleasantly surprised.

4)
Paint with light. Sit someone down in a completely dark room. Set your camera on a tripod. Set the ISO to 400 and the shutter speed to 10 seconds. Release the shutter with the camera&#8217;s self-timer. Now, with a flashlight, paint the subject with light. You&#8217;ll have to experiment to get your timing and painting techniques down - but when you do, you&#8217;ll love the creative results.

5)
Team up. Go on a shoot with a friend. From the same spot, try to take two totally different photographs.

6)
Go wireless. On-camera flashes are okay for snapshot. For more creative flash photography, get a wireless remote, which allows you to fire an off-camera flash placed in a much more creative position - for more dramatic lighting.

7)
Slow it down. Indoors, outdoors, during the day and at night, set your camera to a slow shutter speed and see how you can use motion to add a sense of movement to a still photograph.

8)
Break the Rules. For an entire day, break every photographic rule that you have ever heard about. Open your mind.

9)
Play with custom functions and picture styles. If you are like me, you probably don&#8217;t take advantage of the custom functions and picture styles on your camera. Well, guess what? They can actually help you take more creative images.

10)
Switch styles.
If you usually take landscapes with a wide-angle lens, take a few shots with a telephoto lens - which will isolates the elements in the scene. If you usually take people and pet pictures with a telephoto lens, take a few shots with a wide-angle lens for more of an environmental photograph.

Hey, if you have a few CS-4U ideas, please post them!

Best,
Rick
P.S. If you have Photoshop CS4 (Creative Suite 4)Extended, play around with the 3-D effects. Now that's a CS-4U (Creative Stimulus for you) tip that is totally cool and totally fun! Also, immediately after applying a filter, fade the filter for additional creative effects (Filter > Fade Filter).]]>

</content>
</entry>

<entry>
<title>Vizualization on Visual Innovation at VizThink 2009</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/02/vizualization-on-visual-innova.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.35417</id>

<published>2009-02-24T18:14:33Z</published>
<updated>2009-02-24T22:21:58Z</updated>

<summary>I attended a session here at the Viz Think conference yesterday, facilitated by Eileen Clegg and O&apos;Reilly&apos;s own Robert Schanafelt. The purpose was to collaboratively identify trends in visual innovation, and then, well, put them together in a visual way that helped display the collaboration in a functional and informative way. Participants were first asked to identify moments of visual...</summary>
<author>
<name>Colleen Wheeler</name>
<uri>http://www.oreillynet.com/pub/au/2237</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

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<category term="visualthinking" label="visual thinking" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[I attended a session here at the Viz Think conference yesterday, facilitated by Eileen Clegg and O'Reilly's own Robert Schanafelt. The purpose was to collaboratively identify trends in visual innovation, and then, well, put them together in a visual way that helped display the collaboration in a functional and informative way.

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Robert_Eileen.jpg" src="http://blogs.oreilly.com/digitalmedia/Robert_Eileen.jpg" width="500" height="357" class="mt-image-none" style="" /></span>

Participants were first asked to identify moments of visual innovation on small sticky notes first, from the cave paintings to the proliferation of the iPhone, and then annotate those events on larger notes that would be used independently. This allowed the specific events to be organized in a timeline, while allowing the trends to emerge independently of chronology. Thus ideas across the board could be focused with a visual end-result. Given that the discussion was about innovation in visualization, the experience became noticeably meta.

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Visual-Innovation-Mural-Work.jpg" src="http://blogs.oreilly.com/digitalmedia/Visual-Innovation-Mural-Work.jpg" width="500" height="357" class="mt-image-none" style="" /></span>

The system employed in the session allows a safe space for people to come up with ideas in a collaborative way, fostering creativity, and allowing them to be organized in more than the obvious ways. It also allows for an end result that can be used as a jumping off point for future discussions and their iterations. In the hallway here at the conference, there's a <a href="http://http://engelbartmural.com/">mural that Clegg created</a> which traces the evolution of culture and technology from 1925 to present, from the perspective of the life of computer pioneer Doug Engelbart.
]]>

</content>
</entry>

<entry>
<title>The Fat Man and Circuit Girl:  Fun.  Music.  Boys and Girls.  Technology.  Creativity.</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/01/the-fat-man-and-circuit-girl-f.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.35039</id>

<published>2009-01-18T23:39:44Z</published>
<updated>2009-01-19T00:04:42Z</updated>

<summary>I&apos;ve got a great Nerd Treat for y&apos;all! If you are too smart to be cool and too cool to be a nerd, you are a Scientiste. That&apos;s what Circuit Girl and I call you. That, and our friend. And we&apos;ve been working on creating a community that&apos;s worthy of your attention and participation....</summary>
<author>
<name>The Fat Man</name>
<uri>http://amiestreet.com/artist/481</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[I've got a great Nerd Treat for y'all!

If you are too smart to be cool and too cool to be a nerd, you are a Scientiste.  That's what <a href="http://fatmanandcircuitgirl.com">Circuit Girl and I </a>call you.  That, and our friend.  And we've been working on creating a community that's worthy of your attention and participation.

<a href="http://fatmanandcircuitgirl.com">
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="254711512_200.jpg" src="http://blogs.oreilly.com/digitalmedia/fatman/254711512_200.jpg" width="200" height="150" class="mt-image-none" style="" /></span></a>]]>
<![CDATA[
For the past 7 weeks, Famous Ubergeek Chick Jeri Ellsworth and I have been playing, having fun, making prototypes, discussing creativity, making music, and webcasting the whole thing as <a href="http://fatmanandcircuitgirl.com">The Fat Man and Circuit Girl</a>.  Now that Jeri has edited and posted Episode 7, I think we've got it ready to announce to y'all, the Smart Creative people who frequent O'Reilly.  So check it out...get on the <a href="http://www.shockinglystupid.com/fmcg/">forums</a> and geek out with us, and enjoy!!!!

]]>
</content>
</entry>

<entry>
<title>Free O&apos;Reilly Webcast: Youth &amp; Creativity</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/01/free-creative-youth-webcast.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.34923</id>

<published>2009-01-10T01:35:26Z</published>
<updated>2009-01-10T01:52:18Z</updated>

<summary>On January 21, O&apos;Reilly will host a 60-minute webcast called Youth &amp; Creativity: Emerging Trends in Self-Expression and Publishing. Here&apos;s the concept: Youth are approaching digital self-expression and publishing from a more organic, collaborative angle than previous generations. They jump right in when the creative urge strikes, collaborating with others from around the globe, and &quot;publishing&quot; an ongoing stream of...</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="webcasting" label="webcasting" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[On January 21, O'Reilly will host a 60-minute webcast called <em><a href="http://oreilly.com/emails/creativeyouth-prg.html">Youth & Creativity: Emerging Trends in Self-Expression and Publishing</a>.</em>

Here's the concept: 

<blockquote>Youth are approaching digital self-expression and publishing from a more organic, collaborative angle than previous generations. They jump right in when the creative urge strikes, collaborating with others from around the globe, and "publishing" an ongoing stream of of-the-moment, mashed-up, throw-away media. Learn more about our research findings on youth and the future of creativity. </blockquote>

I'm intrigued by the "throw-away" part: Why should that be, and what does it mean? One thing that surprised me when I switched from magazine writing to online writing is that my digital creations seem to be more permanent than the paper-based ones. They're certainly easier to find and share. So these emerging media productions that seem to be disposable may last longer and have more impact than we imagine.

The show is free, but you need to pre-register at <a href="http://oreilly.com/go/creativeyouth">http://oreilly.com/go/creativeyouth</a>.]]>

</content>
</entry>

<entry>
<title>Chris Baty on Hobbies, Work, and the Creative Life</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2009/01/hobbies-work-and-the-creative.html" />
<id>tag:blogs.oreilly.com,2009:/digitalmedia//8.34834</id>

<published>2009-01-05T15:21:37Z</published>
<updated>2009-01-06T06:41:25Z</updated>

<summary>This year I took a crack at November&apos;s National Novel Writing Month (aka NaNoWriMo). Didn&apos;t get as far as I&apos;d like, I&apos;ll admit. But even my little trek was a great reminder of the importance of making something every day. One of the many perks of the NaNoWriMo experience are the email exhortations you get from a variety of guest-authors, as well as from Chris Baty, NaNoWriMo&apos;s founder and program director. The last one he sent out at the end of the journey, was a lovely essay on hobbies, work, and living the creative life. I asked his permission to repost it here and he graciously assented. </summary>
<author>
<name>Dan Brodnitz</name>

</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

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<![CDATA[This year I took a crack at November's National Novel Writing Month (aka <a href = "http://nanowrimo.org">NaNoWriMo</a>). Didn't get as far as I'd like, I'll admit. But even my little trek was a great reminder of the importance of making something every day. 

One of the many perks of the NaNoWriMo experience are the email exhortations you get from a variety of guest-authors, as well as from Chris Baty, NaNoWriMo's founder and program director. The last one he sent out at the end of the journey, was a lovely essay on hobbies, work, and living the creative life. I asked his permission to repost it here and he graciously assented. Enjoy (and consider joining the fray next time around):

<blockquote>"Wow. We had a feeling this year's NaNo was going to be big. We just didn't realize it would be this big.... Whatever magical forces were afoot this year, we collectively managed to write 1.6 billion words, demolishing last year's count by nearly 500,000,000 words.  

With so much fiction produced, you might mistake National Novel Writing Month for a novel writing event. But we actually have a sneaky secondary mission that extends beyond books...and into your job.  

(If you're still in school, please print this email out, seal it in an envelope, and read it on your first day at work.)  

Okay. Jobs. Having a job is one of the greatest, trickiest things you can do as an adult. Employment brings perks like challenges and growth and (sometimes) money. But the longer you work at a job, the easier it is to confuse what you are doing with what you can do.    

This is true whether you're a dental hygienist, a stay-at-home parent, or Sirkka-Liisa Anttila, the Forestry Minister of Finland. Because careers tend to be all about specialization. Human beings, on the other hand, contain multitudes. Each of us has a wealth of talents spread broadly over domains both marketable and deliciously impractical. The tricky part is that we tend to develop the former at the expense of the latter. Passions become hobbies. Hobbies become something we swear we'll get back to when we have more time. Or when the kids are grown. Or when the stock market recovers.

Which means we leave unexplored many of those paths that ultimately make us feel most alive &mdash; the moments of creating, building, playing, and doing that lead to extraordinary and unexpected things. 

Like writing a book. 

Or, more loosely, postponing the must-dos of the real world to spend 30 days exploring an attractive, improbable dream.

Giving ourselves that time is so important. Because the world can wait. It's what the world does best, in fact. It was hanging out for 4.5 billion years before we arrived, and it'll be waiting around for another few billion after we're gone.  

Our dreams, however, have much shorter shelf-lives.  

If there's one thing I've learned from running NaNoWriMo, it's this: Whatever you think you are, you are more than that. You possess a fearsome array of skills and abilities, and the most satisfying of these may be completely unknown to you now. Your curiosity is a dependable guide; follow it. Put yourself in unfamiliar places. Kindle passions. Savor the raw joy of making things, and then remake the best of those things until they take someone's breath away. Wrestle bears.  

Actually, skip the bear-wrestling.  

But do keep trying big things, okay? Sometimes we can wait so long for a clear sign that it's time to begin, that the opportunity sails right past us. 

Life is so short. Adventures beckon. Let's get packed and head out on a new one today.

I think it's time.  

Chris
NaNoWriMo"</blockquote>]]>

</content>
</entry>

<entry>
<title>&quot;HDR&quot; Performance Art on Your Street</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/hdr-performance-art.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34810</id>

<published>2008-12-31T18:13:00Z</published>
<updated>2008-12-31T18:16:11Z</updated>

<summary>In our photo blogs, there are some stunning examples of high dynamic range (HDR) photography, which creates a hyperreal image by combining different exposures. What if that technique were applied to other media? You might get...this.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="hdr" label="hdr" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="performance" label="performance" scheme="http://www.sixapart.com/ns/types#tag" />

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<![CDATA[In our photo blogs, there are some stunning examples of <em>high dynamic range</em> (<a href="http://search.oreilly.com/?q=HDR" target="_blank">HDR</a>) photography, which creates a hyperreal image by combining different exposures. The idea is that the human eye is more sensitive to the range of light and dark than a camera, so by layering a range of exposures of the same scene, you capture more detail.

What if that technique were applied to other media?

I've written before about Darwin Chamber's multilayered <a href="http://blogs.oreilly.com/digitalmedia/2006/10/darwin-chamber-and-the-3d-hall.html" target="_blank">ambient soundtracks</a>, which compose a new reality from numerous short field recordings.

In "<a href="http://www.streetwithaview.com/"  target="_blank">Street with a View</a>," some Pittsburgh performance artists heard that Google Maps' Street View mobile was coming to town, and so they staged a spectacle for the car's 360&deg; camera. As you trace the car's path along a one-way street, you see a <a href="http://maps.google.com/maps?cbp=1,262.96388206761037,,0,16.58444579096093&cbll=40.456878,-80.01196&layer=c&ie=UTF8&ll=40.458499,-80.009319&spn=0.00569,0.012918&z=17&panoid=zHdES6mj-vBrH2nF-K9ROQ" target="_blank">parade</a>, a marathon, and more. 

One site describes the event as a <a href="http://www.infonaut.ca/blog/?p=290" target="_blank">prank</a>, but after watching the behind-the-scenes video, I began to see it as more of a high dynamic range tour: These are sights you might have seen if you'd walked the neighborhood at the right times, and the joy on the participants' faces as they show off their home is charming. Sure, people do wacky things when they know they're on camera, but that's revealing as well.

As an editor and composer, I'm always striving to boil concepts down to their most exciting bits to achieve the maximum impact. "Street with a View" is a great reminder that sometimes the silly, human bits are the most memorable.

Here's the video:

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<em>(Thanks, <a href="http://www.oreillynet.com/pub/au/3497" target="_blank">Dan</a>!)</em>]]>

</content>
</entry>

<entry>
<title>Creative (Suite) Self-Destruction</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/digital-rights-manglement.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34738</id>

<published>2008-12-23T22:22:33Z</published>
<updated>2008-12-29T21:42:39Z</updated>

<summary>What do you do when your primary creative tool stops working? It&apos;s an increasingly common problem as our tools become digital. I&apos;ve lost great programs from companies that tanked, but when a program from a company that&apos;s still in business refuses to launch, it really chaps my hide.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="adobe" label="adobe" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="cs4" label="cs4" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="distributionmodels" label="distribution models" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="workflow" label="workflow" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[<p>What do you do when your primary creative tool stops working? It's an increasingly common problem as our tools become digital. When Gibson snuffed out Opcode Vision, the pioneering, elegant MIDI sequencer, it took me years to get comfortable with another music-making tool. When BitHeadz fizzled,  my copy of its DS-1 sampler software began a countdown to self-destruction as well. I had just enough time to rescue my custom sounds before DS-1 shut down permanently. </p>
<p>But when a program from a company that's still in business abruptly refuses to launch, it really chaps my hide. </p>
<p>Several years ago, I was in Japan for a few days and took a long train ride to visit a <a href="http://blogs.oreilly.com/digitalmedia/2007/04/big-shak-attack.html" target="_blank">shakuhachi</a> player whose CD I was mastering. He met me at the station, we climbed to the top of the hill where he lived, I fired up my laptop computer...and my audio editing program at the time, Steinberg Wavelab, asked me to insert the original program CD to verify I owned it. (That version of Wavelab conducted random piracy tests.) </p>
<p>I didn't have the CD, of course, and the Internet connection on the hilltop was poor. So I ended up using a DJ program instead, just to figure out song-to-song timing and levels. Back in the States, that version became a rough guide, but I soon switched to another audio editing program, even though I'd really liked Wavelab.</p>
<p>Jochen Wolters <a href="http://blogs.oreilly.com/digitalmedia/2006/09/could-digital-rights-managemen-1.html#comment-97279" target="_blank">put it best</a>: <em>The single most annoying thing about Digital Rights Management [DRM] is that it only affects honest media buyers.</em></p>
<p>Then last month, on the road again, I launched Adobe Dreamweaver to edit a feature for the O&rsquo;Reilly Digital Media site. And got this annoying error:</p>
<div align="center"><img src="http://blogs.oreilly.com/digitalmedia/upload/2008/12/Adobe-DRM-Error.jpg" alt="Adobe DRM Error" width="496" height="204"/><br /><br /></div>
<p>Worse, not only was Dreamweaver refusing to play, so was the entire Adobe Creative Suite: Fireworks, Photoshop, Acrobat, Flash, Illustrator, and even Soundbooth, my new audio editor! Reinstalling in the hotel room wasn't an option &#8212; not only didn't I have the pile of DVDs, I didn't have the hours it would take to install and update the programs.</p>
<p>Punching the error phrase into Google, I found an <a href="http://kb.adobe.com/selfservice/viewContent.do?externalId=kb401528" target="_blank">Adobe support page</a> with five complex workarounds, some with up to 22 steps. I plowed through them all. None of them worked, though as compensation, I did see one of the most ridiculous dialog boxes ever:</p>
<div align="center"><img src="http://blogs.oreilly.com/digitalmedia/upload/2008/12/Adobe-Permissions-Dialog.jpg" alt="Adobe Permissions Dialog" width="478" height="238"/><br /><br /></div>
<p>Honestly, it's enough to make a guy go open source. I've been using <a href="http://www.OpenOffice.org" target="_blank">Open Office</a> on my laptop instead of the Microsoft Office suite, and it's been fine. If only I didn't love Adobe Fireworks so much and have so many custom macros in Dreamweaver.</p>
<p>I'm now packing for another trip. Maybe I'll pass the time on the plane by feeding my laptop a stack of Adobe DVDs. </p>
<p>Of course, the primary creative tool is still the brain, but every time one of my computer tools fails, my mind gets derailed as well and I lose the <a href="http://digitalmedia.oreilly.com/2004/12/29/flow_1204.html" target="_blank">creative flow</a>. Perhaps the solution is to have open-source alternatives for all one's creative tools so it's relatively painless to switch to the backup. But there's got to be a better solution to DRM, one that rewards honest users rather than punishing them.</p>
]]>
<![CDATA[<p><b>UPDATE, 2008-12-29: </b>Good news: The Creative Suite is working again. I theorized that de-installing and re-installing just one program might repair the entire DRM system. So that's what I tried, using Soundbooth, which I'd bought separately from CS3 Web Premium (Fireworks, Photoshop, Dreamweaver, etc.). Because Soundbooth comes with 3.2GB of music files, that took a while, but when it was done, I successfully reactivated Soundbooth by entering the serial number. Then I tried launching one of the other CS3 programs, and was presented with the activation screen for CS3. Entering my CS3 serial number there reactivated all those programs, with my settings intact. I didn't have to de-install, re-install, and update each one. Whew!</p>]]>
</content>
</entry>

<entry>
<title>John Adams Interviewed on KQED</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/john-adams-interview-on-kqed.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34750</id>

<published>2008-12-23T05:05:56Z</published>
<updated>2008-12-23T05:21:59Z</updated>

<summary>Michael Krasny gabs with John Adams on KQED&apos;s Forum about his music, book and life. A must listen. And don&apos;t forget to enjoy his opera &quot;Doctor Atomic&quot; about Oppenheimer and the creation of the atomic bomb. Playing now on your local PBS station....</summary>
<author>
<name>Brad Fuller</name>
<uri>http://www.bradfuller.com</uri>
</author>

<category term="Audio" scheme="http://www.sixapart.com/ns/types#category" />

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[Michael Krasny gabs with John Adams on KQED's Forum about his music, book and life. A must listen.

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And don't forget to enjoy his opera <a href="http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-doctor-atomic/introduction/429/">"Doctor Atomic"</a> about Oppenheimer and the creation of the atomic bomb. Playing now on your local PBS station.]]>

</content>
</entry>

<entry>
<title>XO Laptop delivered in Columbia</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/xo-laptop-delivered-in-columbi.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34747</id>

<published>2008-12-23T01:38:20Z</published>
<updated>2008-12-23T05:24:01Z</updated>

<summary>I haven&apos;t mentioned the OLPC XO laptop for kids in a while. But, it&apos;s worth noting that Nicholas Negroponte has delivered XO laptops to Columbian children in an area that was once controlled by guerrillas. In this TED Video he discusses the project, on the road, and why laptops are important for children around the world. This line stood out...</summary>
<author>
<name>Brad Fuller</name>
<uri>http://www.bradfuller.com</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[I haven't mentioned the OLPC XO laptop for kids in a while. But, it's worth noting that Nicholas Negroponte has delivered XO laptops to Columbian children in an area that was once controlled by guerrillas. In this <a href="http://www.ted.com/index.php/talks/nicholas_negroponte_takes_olpc_to_colombia.html">TED Video</a> he discusses the project, on the road, and why laptops are important for children around the world. This line stood out for me:
"Think of it as inoculating children against ignorance."

To learn why this is an important education project, and not an IT project, visit the <a href="http://laptop.org/en/vision/index.shtml">OLPC vision statement</a> page.]]>

</content>
</entry>

<entry>
<title>A Creativity Interview with Novelist Dana Reinhardt</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/a-creativity-interview-with-no.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34671</id>

<published>2008-12-16T23:43:32Z</published>
<updated>2008-12-17T02:28:25Z</updated>

<summary>For the last year or two I&apos;ve been interviewing artists about their creative process. A new interview went up this week, with young-adult novelist Dana Reinhardt, and I thought I&apos;d post an abridged version here, including questions about her writing routine, how she pushes through when she isn&apos;t not feeling particularly inspired, and why she doesn&apos;t use notebooks to capture her thoughts.</summary>
<author>
<name>Dan Brodnitz</name>

</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="routine" label="routine" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="thecreativebeat" label="the creative beat" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="writing" label="writing" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[For the last year or two I've been <a href = "http://about-creativity.com">interviewing artists </a>about their creative process. A new interview went up this week, with young-adult novelist <a href = "http://danareinhardt.net">Dana Reinhardt</a>, and I thought I'd post an abridged version here, including questions about her creative routine, how she pushes through when she isn't particularly inspired, and why she doesn't use notebooks to capture her thoughts. If you'd like to read a little more, you can find the full interview <a ref = "http://cecilvortex.com/swath/2008/12/15/an_interview_with_dana_reinhardt.html">right here</a>.

<div class="ap_r"><a href="http://blogs.oreilly.com/digitalmedia/upload/2008/12/61809_reinhardt_dana.jpg" class="highslide" onclick="return hs.expand(this)"><img src="http://blogs.oreilly.com/digitalmedia/upload/2008/12/61809_reinhardt_dana.jpg" alt="61809_reinhardt_dana.jpg" title="Click to enlarge" width="148"/></a>
<div class="apcaption">
Dana Reinhardt: Photo credit: Chelsea Hadley</div>
</div>

<b>Do you have a writing routine you hold to?</b>

<b>Dana Reinhardt:</b> I do. I try my best to stick to writing every workday. It's a bonus if I do any writing on a weekend. I try to write Monday through Friday as if I had a real job. My goal for each day can change but in general, my rule is that my workday's not done until I have three pages, which is roughly 1,000 words, maybe a little less. So it's somewhere in there. I generally don't let myself off the hook until I've done that. And sometimes I can do that in 40 minutes, and sometimes it takes me ten hours. But I try to have that done every single day.

<b>Are there any tricks that help you be productive on those days when you're not feeling particularly inspired?</b>

<b>DR:</b> Well, I wouldn't say tricks, but I think that the reason I put myself on the schedule I do is so that I can't not produce on the days I don't feel inspired. I guess I don't really believe so much in the idea of waiting for inspiration. I think that that doesn't come until you're in the act of writing. 

<b>So it's about getting yourself into the process?</b>

<b>DR:</b> Yeah &mdash; I think inspiration only comes in the middle of writing. I think thinking about writing doesn't work; writing works. And the act of writing is when the inspired moments come, I believe.

<b>Are there any tools you rely on to capture ideas? </b>

<b>DR:</b> Not really. I have a notebook, but I'd say for each of my books I barely even take notes. Sometimes I'll think of something &mdash; a turn of a phrase or an idea that I'm not ready for yet, that feels like it should come later, and I'll jot that down. But there's very, very, very little that I write down like that. I have this kind of crazy theory, which probably is crazy, but &mdash; and I guess this applies more to ideas for books I haven't written yet &mdash; sometimes I'll have an idea and I'll think, "Wow, that's a great idea," but I don't write it down on the theory that if I don't remember it, it wasn't a good enough idea.

<b>When you're not writing, what do you do to help feed your creative side?</b> 

<b>DR:</b> I feel my powers of observation now are &mdash; I'm sort of in tune with them a lot more. Before I was spending my time writing novels, I wouldn't necessarily stop and really look at the person who caught my eye walking by me on the street. Now sometimes, if somebody catches my eye walking by me down the street, I might take something away from that moment that I use in a character I'm writing about. So I pick things up: a lyric from a song, the way something looks in a certain light, whatever it is. I feel like my time not spent writing is often just spent collecting images or bits and pieces of things that might work their way into a book.</b>

<b>And that helps keep that part of your brain vibrating?</b> 

<b>DR:</b> It does.

<b>Is there any advice you've gotten over the years that stands out, in terms of how to live a creative life and be creatively productive?</b>

<b>DR:</b> I have a friend &mdash; this is a piece of advice I really like that really helps sometimes, especially in those moments where I'm thinking that what I'm writing is just crap &mdash; he says what he tries to do is what he calls "a jewel on every page" &mdash; just one moment, one turn of phrase, something on each page that makes him proud. 

And, you know, my biggest goal is to do that. It's not easy because there are a lot of pages in a book. But one small thing can make the whole chapter feel worthy of being there. And I just try to work on those moments.]]>

</content>
</entry>

<entry>
<title>The $5 Self-Publishing Workshop</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/5-buck-self-publishing-workshop.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34603</id>

<published>2008-12-11T10:25:00Z</published>
<updated>2008-12-11T22:16:27Z</updated>

<summary>In the last five years, I&apos;ve published five books &#8212; the first through a traditional royalty publisher and the rest at home. One of the most valuable resources I&apos;ve had in that adventure is BAIPA, and in 30 seconds, you can see why.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="books" label="books" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="presentations" label="presentations" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="workshop" label="workshop" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[<img src="http://blogs.oreilly.com/digitalmedia/upload/2008/12/battino-book-totem-pole.jpg" alt="David Battino books" width="208" height="900" border="0" usemap="#Map" style="float:right;margin-left:10px;" />
<map name="Map" id="Map">
  <area shape="rect" coords="0,0,200,263" href="http://www.ArtOfDigitalMusic.com" target="_blank" alt="The Art of Digital Music" />
  <area shape="rect" coords="0,272,200,893" href="http://www.StorycardTheater.com" target="_blank" alt="Storycard Theater books" />
</map>
<p>In the last five years, I&#8217;ve published five books &#8212; the first through a traditional royalty publisher and the rest at home. One of the most helpful resources I&#8217;ve had in that adventure is the Bay Area Independent Publishers Association (<a href="http://www.baipa.net/" target="_blank">BAIPA</a>). It&#8217;s a friendly group of folks who meet on the second Saturday of every month to share their knowledge of self-publishing. This month, I&#8217;ll be the speaker.</p>
<p>The meetings cost $5 for non-members and $3 for members, and despite having worked in publishing since 1994, when I launched <em>Music &amp; Computers</em> magazine, I learn something every time I attend. </p>
<p>One of the most motivational parts of each meeting is the &#8220;elevator speech&#8221; segment, in which everyone gets just 30 seconds to promote his book or services. (In case you aren&#8217;t familiar with the term, the concept is that you unexpectedly find yourself in an elevator with a Powerful Person &#8212; Oprah, say&nbsp;&#8212; and have just the 30 seconds between floors to pitch a deal.) </p>
<p>A chess clock at the front of the room marks the time limit with a <em>ding!, </em>and attendees who overshoot are quickly drowned out by mass grumbling. Stick within the limit, though, and the audience is very supportive. It&#8217;s an excellent lesson that when selling something, you really need to consider your audience  and play to their interests.</p>
<p>It&#8217;s fun to see how authors use that tiny window to grab attention. I still remember the guy who announced, &#8220;My name is Bill, and I wrote a million-seller.&#8221; </p>
<p>Everyone gasped. Bill basked in the silence for a moment,  then grinned, &#8220;Yep &#8212; I&#8217;ve got a million of &#8217;em in my cellar.&#8221; </p>
<p>Here&#8217;s  my  first elevator speech:</p>
<blockquote> &#8220;Hi. My name is David Battino. My wife and I write and publish a series of children&#8217;s books called Storycard Theater. It&#8217;s based on a traditional Japanese street-performance format that lets you read a story <em>while</em> showing the pictures. [<em>Show front and back of Momotaro card stack.</em>] To read a <em>normal</em> picture book, you have to twist away from your audience like <em>this.</em><br />
  <br />
  &#8220;Last year, we won the Dr. Toy award for Top 10 Creative Products in the country and we&#8217;re currently ranked number 1 on Google. More at <a href="http://www.StorycardTheater.com" target="_blank">Storycard Theater.com</a>.&#8221; </blockquote>
<p>Maybe it was my beginner&#8217;s earnestness, but that little speech got the biggest applause that day. (I think the &#8220;number 1 on Google&#8221; part referred to being the top hit in a search for our <em>own</em> name, but it <em>was</em> an elevator situation!) </p>
<p>I realized later that I hadn&#8217;t said anything about the <em>content </em>of the books, so I addressed that in a later meeting:</p>
<blockquote>&#8220;Hi, I&#8217;m David Battino. Imagine you had the chance to call up 50 of your musical heroes and just rap about creativity for an hour. And then you chopped up those 50 interviews and remixed them into a giant cocktail party of a book &mdash; with a DVD. That&#8217;s <em>The Art of Digital Music.</em> The <em>Library Journal</em> gave it a starred review. The leading magazine in the field called it an 'absolute must-read.' And now my publisher is up for sale and has completely stopped promoting it, so I&#8217;m looking for ways I can continue that momentum. Speaking of fantasy, I also write children&#8217;s books. Thank you.&#8221;</blockquote>
<p>As I recall, that spiel went over well, too, but in retrospect, it seems gloomy &mdash; and more about me than the audience. I returned to more upbeat themes in future meetings. </p>
<p>Still, the Elevator Speech is a neat strategy to apply to any number of life situations. If you&#8217;re stuck creatively, try boiling down your concept to a few short phrases you can speak aloud with conviction. Then reduce that to a punchy caption or headline; you may be surprised by the clarity that brings. There&#8217;s a classic episode of <em>This American Life</em> called &#8220;<a href="http://thislife.org/Radio_Episode.aspx?episode=339" target="_blank">Break-Up</a>,&#8221; in which the narrator stumbles onto a wonderfully poignant song lyric while bellyaching about a boyfriend. So often, creativity is  about juxtaposing disparate ideas and seizing on the sparks that fly.</p>
<p>In fact, the title of my talk this weekend is &#8220;Your Book Is Only the Beginning: Growing a Publishing Business the Holistic Way.&#8221; Writing books has enabled me to pull together so many interests and opened so many opportunities &mdash; opportunities that seemingly have very little to do with the printed text. And yet, it <em>is </em>all related. So I&#8217;ll be talking about bringing big projects  to life and getting happily caught up in them. Hope to see you there!</p>
<p><strong>BAIPA Holiday Meeting </strong></p>
<p>Saturday, December 13, 2008</p>
<p>9 a.m.&ndash;12:20 p.m. (I speak at 11:15)</p>
<p>First Congregational Church</p>
<p>8 North San Pedro Road</p>
<p>San Rafael, CA 94903</p>
<p><a href="http://maps.google.com/maps?f=q&amp;hl=en&amp;geocode=&amp;q=8+n+san+pedro+rd+94903&amp;sll=37.0625,-95.677068&amp;sspn=51.355924,113.90625&amp;ie=UTF8&amp;z=17&amp;g=8+n+san+pedro+rd+94903&amp;iwloc=r1" target="_blank">Map</a></p>
]]>

</content>
</entry>

<entry>
<title>Does Brainstorming Actually Work?</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/does-brainstorming-actually-wo.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34609</id>

<published>2008-12-11T08:06:00Z</published>
<updated>2008-12-11T05:40:01Z</updated>

<summary>It&apos;s a staple of corporate retreats: gather staff, whip out the flip chart and announce that &quot;there are no bad ideas&quot;. Many attendees just groan inwardly. Are they just cynics, or are they onto something? Apparently several studies back up the Dilberts of the world, at least to an extent. According to an article in this past Sunday&apos;s New York...</summary>
<author>
<name>Spencer Critchley</name>
<uri>http://spencercritchley.com</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[It's a staple of corporate retreats: gather staff, whip out the flip chart and announce that "there are no bad ideas". Many attendees just groan inwardly. Are they just cynics, or are they onto something?

Apparently several studies back up the Dilberts of the world, at least to an extent. According to an <a href="http://www.nytimes.com/2008/12/07/business/07unbox.html?_r=1&scp=1&sq=innovators&st=cse">article</a> in this past Sunday's New York Times:

<blockquote>That classic tool introduced by Alex Osborn in 1948 has been proved in a number of studies over the last 20 years to be far less effective than generally believed. "He had it right in terms of group process," says <a href="http://www.innovationinpractice.com/innovation_in_practice/">Drew Boyd</a>, a businessman based in Cincinnati who blogs and speaks often about innovation. "But he had it wrong in terms of the method."</blockquote>

The problems with that method will be familiar to any corporate veteran:

<blockquote>...researchers have shown repeatedly that individuals working alone generate more ideas than groups acting in concert. Among the problems are these: Throwing in an idea for public consideration generates fear of failure, and workers looking to advance their own interests often keep their best ideas to themselves until a more opportune time.</blockquote>

But this is not to say that groups per se foil creativity. In fact the article, titled "For Innovators, There Is Brainpower in Numbers" argues just the opposite case. The trick is in forming the right kind of group:

<blockquote>
<a href="http://keithsawyer.wordpress.com/">Keith Sawyer</a>, a researcher at Washington University in St. Louis, calls this "group genius," and in his book of the same name he introduces a scientific method called interaction analysis to the study of creativity. Through studying verbal cues, body language and incremental adjustments during team innovation efforts, Mr. Sawyer shows that what we experience as a flash of insight has actually percolated in social interaction for quite some time.</blockquote>

Regulars at the <a href="http://www.projectbarbq.com/">Project Bar-B-Q</a> conference on the future of audio (and, more recently, the related <a href="http://www.projecthorseshoe.com/">Project Horseshoe</a> game industry conference) see this kind of group creativity occur year after year. On a ranch in the Texas hill country, organizers led by <a href="http://www.oreillynet.com/pub/au/2203">George "The Fat Man" Sanger</a> assemble what they call The Group Brain, made up of attendees who in their daily work lives often vie at competing firms. By the end of a long weekend they do produce innovative, and sometimes ground-breaking, results.

And flip charts are involved. But they only come out after a crucial preparatory evening, involving no small amount of food, drink, good-natured ridicule and - perhaps most importantly, raucous music-making. The jibes and jamming serve as creative warm-up exercises, break down inhibitions and form bonds. It also no doubt helps that many in the the self-selected group begin from positions of mutual respect.

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</entry>

<entry>
<title>Impossible Images</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/impossible-images.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34587</id>

<published>2008-12-09T17:33:21Z</published>
<updated>2008-12-09T17:37:42Z</updated>

<summary>Variety is the spice of life, and it is certainly part of what I enjoy about photography. Having a camera is an excuse for being anywhere and examining anything. Those of you who follow my blog or my photostream on Flickr will know that my subjects range from kids and flowers through the night landscape. I&apos;m also intrigued with the...</summary>
<author>
<name>Harold Davis</name>
<uri>http://www.digitalfieldguide.com/blog/</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="Photography" scheme="http://www.sixapart.com/ns/types#category" />

<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="escher" label="Escher" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photocomposition" label="photo composition" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photography" label="photography" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photoshop" label="photoshop" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[Variety is the spice of life, and it is certainly part of what I enjoy about photography. Having a camera is an excuse for being anywhere and examining anything. Those of you who follow <a href="http://www.digitalfieldguide.com/blog/">my blog</a> or my <a href="http://www.flickr.com/photos/harold_davis/">photostream on Flickr</a> will know that my subjects range from <a href="http://www.digitalfieldguide.com/blog/entries/kids">kids</a> and <a href="http://www.digitalfieldguide.com/blog/1605">flowers</a> through the <a href="http://www.digitalfieldguide.com/blog/1411">night landscape</a>. I'm also intrigued with the idea of extending photography via software manipulation to create images of the impossible.

I'm pleased to announce that <a href="http://www.digitalfieldguide.com/blog/751">Spirals</a>, one of my images of the impossible, has won a place in the prestigious <a href="http://www.macworldexpo.com/SitePage.aspx?site=9&amp;id=948416d5-7a5b-4ef1-b1de-447e90d40143" target="_new">MacWorld 2009 digital imaging exhibition</a>.


<a href="http://www.digitalfieldguide.com/blog/751"><img src="http://farm1.static.flickr.com/168/373007436_49b33b711e.jpg" border="0" alt="Spirals" /></a>

View <a href="http://farm1.static.flickr.com/168/373007436_49b33b711e_b.jpg">this image larger</a>.


The image may be impossible, but it should not be implausible. To achieve this sleight of eye requires, as artist M.C. Escher put it, "deception." Plausible impossibility tends to the opposite of plausible deniability: until you look very carefully it just might be for real, but it's clearly imaginary if you give it thought.

My favorite impossible images often involve twisting stairs like <a href="http://www.digitalfieldguide.com/blog/1642">Calling Alice</a> (below) or infinite progressions, like <a href="http://www.digitalfieldguide.com/blog/713">World without End</a> (far below).


<a href="http://www.digitalfieldguide.com/blog/1642"><img src="http://farm4.static.flickr.com/3015/3091236933_c8823709ca.jpg" border="0" alt="Calling Alice" /></a>

View <a href="http://farm4.static.flickr.com/3015/3091236933_c8823709ca_b.jpg">this image larger</a>.


In the photocomposition below, I sandwiched larger and smaller versions of the progression of doors together to make an apparently endless series. The doors do go on to the bitter end, namely the single pixel level.


<a href="http://www.digitalfieldguide.com/blog/713"><img src="http://farm1.static.flickr.com/142/326868016_1266b32788.jpg" border="0" alt="World without End" /></a>

View <a href="http://static.flickr.com/142/326868016_1266b32788_b.jpg">this image larger</a>.]]>

</content>
</entry>

<entry>
<title>Blastoff</title>
<link rel="alternate" type="text/html" href="http://blogs.oreilly.com/digitalmedia/2008/12/blastoff.html" />
<id>tag:blogs.oreilly.com,2008:/digitalmedia//8.34579</id>

<published>2008-12-09T04:55:30Z</published>
<updated>2008-12-09T05:12:41Z</updated>

<summary>

I&apos;m just back from one of the most incredible photographic experiences I&apos;ve had - photographing the &quot;blastoff&quot; at Bosque del Apache in New Mexico with my friends from Naturescapes. I&apos;m working on an article that will be posted on my site soon. It wiill also be posted on the Naturescapes site. Here is an expert - the prelude to the photo tech talk. </summary>
<author>
<name>Rick Sammon</name>
<uri>http://www.oreillynet.com/pub/au/3255</uri>
</author>

<category term="Creativity" scheme="http://www.sixapart.com/ns/types#category" />

<category term="Photography" scheme="http://www.sixapart.com/ns/types#category" />

<category term="birds" label="birds" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="creativity" label="creativity" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="nature" label="nature" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="newmexico" label="new mexico" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photography" label="photography" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="ricksammon" label="rick sammon" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="widlife" label="widlife" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://blogs.oreilly.com/digitalmedia/">
<![CDATA[<div class="ap_r"><a href="http://blogs.oreilly.com/digitalmedia/upload/2008/12/blog.jpg" class="highslide" onclick="return hs.expand(this)"><img src="http://blogs.oreilly.com/digitalmedia/upload/2008/12/blog.jpg" alt="blog.jpg" title="Click to enlarge" width="148"/></a></div>

Hi All

I'm just back from one of the most incredible photographic experiences I've had - photographing the "blastoff" at Bosque del Apache in New Mexico with my friends from <a href="http://www.naturescapes.net/docs/">Naturescapes</a>. I'm working on an article that will be posted on <a href="http://www.ricksammon.com/Home.html">my site </a>soon. It will also be posted on the Naturescapes site. Here is an expert - the prelude to the photo tech talk. 


&#8220;Amazing!&#8221; &#8220;Stunning!&#8221; &#8220;Breathtaking!&#8221; &#8220;Awesome!&#8221; &#8220;Freezing!!&#8221;

These were some of the comments that were shared at the two sunrise shoots during Naturescapes&#8217;s (www.naturescapes.net) first annual event this past December in Bosque del Apache, New Mexico. The site, about an hour&#8217;s drive from Albuquerque, is situated at an elevation of about 4,500 feet above sea level.

The &#8220;freezing&#8221; comment referred to the temperature: 21° F. The other comments referred to the sight before our eyes: thousands of snow geese &#8220;blasting off,&#8221; silhouetted against a spectacular sunrise. As an added attraction, hundreds of sandhill cranes swooped over our heads, some flying solo, some flying in formation - eventually landing in nearby shallow pools of water, posing for wildlife photographer with a special love for birds.

I echoed all the aforementioned comments. Being in Bosque del Apache to witness the &#8220;blastoff,&#8221; so called due to the sight and sound of the awe-inspiring, daily event at this time of year, exceeded all my expectations, including when it came to the low temperatures. 

Truth is, before this event, I had only taken a few photographs of birds for my books and magazine articles. However, I did spend years photographing fast moving subjects - butterflies for my book, Flying Flowers, and fish for my six underwater books. So, I applied the same principles and techniques to my bird photography.

One other comment I hear more than a few times was, &#8220;Thanks, Greg.&#8221; It came from the novice bird photographers, as well as from some of pros (including yours truly), who were thanking Greg Downing, the creator of Naturespaces, for his expert advice on photographing birds. 
Simply put, you gotta go to Bosque del Apache. If you want to travel and shoot (and have happy hour and enjoy a fun group dinner) with like-minded photographers, Naturescapes is putting on the event, which also includes seminars, in December 2009. I&#8217;m going to be there! Would not miss it for the world.

If you plan on attending, I&#8217;d like to give you an idea of the set-up, as well as a few general guidelines, and, of course, some photo tips!

Before you read on, check out the video I shot of the &#8220;blastoff.&#8221; Go to the Training page of <a href="http://www.ricksammon.com/Home.html">www.ricksammon.com</a>. You'll find a video of the event posted there. Some photos are also posted on the <a href="http://www.ricksammon.com/New.html">New</a> page.


The Settings - Shooting the &#8220;blastoff&#8221; is a blast. Know that you will be shooting along with dozens of other photographers - all wanting to get the best position. However, there are hundreds of best spots for great shots. You and the other shooters line up along the shore of a tremendous pond and shoot toward the sunrise. 

The &#8220;blastoff&#8221; happens every day precisely at 6:43 a.m. Only kidding, of course! You don&#8217;t know exactly when it&#8217;s going to happen, although an increase in bird chatter is the prelude to &#8220;blastoff.&#8221; 

You must be patient - and you must try to stay warm because you will be hovering over your tripod like a bird protecting its eggs in a nest. You can park your car a few feet behind you on the road that runs along the edge of the pond, so you can use it to warm up from time to time.

After the &#8220;blastoff&#8221; there are more photo opportunities by nearby ponds. Be there or be square.

Dress for Success - Pack a winter coat, wool hat and good gloves for shooting. Also stock up on hand warmers if you want to keep your fingers toasty so that you operate your camera control. You&#8217;ll be on site from 6 a.m. to 7:30 a.m. - after which is when the action begins to slow. (Some folks stay longer, and return at sunset, when it&#8217;s much warmer.) 

You&#8217;ll want to dress in layers, as the rising sun welcomingly warms you up as the day progresses.
You&#8217;ll also want to bring a flashlight so you can see what the heck you are doing while you are setting up in total darkness. Head mounted flashlights are recommended.
Hey, as long as I am offering non-photo tip (yet), here are two more general guidelines: use lip balm and sun/windscreen. You&#8217;ll be glad you did.

 

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