It's hard to imagine owning just one microphone. Different mics have different uses. Some are best at recording music, some are best for studio work, and others are the best choice for field recording. But if I had to limit myself to one affordable mic for any task, it would be the AKG C1000.
My review of this mic is based on its value for podcasters. But you can assume it would work in many applications.
I use the C1000 for field recording interviews, what we call "actualities" in the radio business. For that kind of work, you want something with a balanced sound and something that's rugged. The C1000 doesn't disappoint on either level.
Its natural sound is even and flat with a slight tendency to emphasize the mid and upper frequencies. There is a presence boost adapter to add 5db of frequency peak if you need or want it.
For more information on podcasting, visit my site podcastingtricks.com.
As for rugged, this mic has been around for more than a decade and people always marvel at how tough it is. The C1000 feels solid in your hand. It's very durable and clearly well made.
While die-hard engineer types might note that the C1000 isn't lauded for its specifications, specs mean nothing when compared with real-world use. And my ears don't lie. This mic sounds pretty good to me in every situation.
The C1000 does require phantom power. But you don't need a pre-amp. That's because it also runs on a standard 9v battery available at any drug, convenience or grocery store in America. That makes it easy to rely on the C1000 in field situations. A couple of spare 9v batteries tucked away along with a cable and recorder, and you have what you need to get good field audio.
While I don't use the C1000 in studio, mostly because I have higher-quality, more expensive mics dedicated to that purpose, I could. In the studio, the mic is just a touch noiser than my high-end mics but not so much so that I couldn't live with it.
Some podcasters prefer the Rode NT3. To my ears, the Rode isn't as neutral but it too is a good choice and most people can't tell much difference between the two.
No mic is perfect. And not everyone likes chocolate ice cream. Both those universal truths accepted, I am confident that the AKG C1000 is money well spent if you need a field mic for your podcast.
Product Description
The C1000S has a max SPL of 137dB for 1% THD and 145 dB at 3% THD. A cardioid or hypercardioid pattern can be selected with the unique PPC1000 polar pattern converter. The PB1000 presence boost adapter provides an additional 5dB boost in the 5 to 9 kHz range in the cardioid range. Other features include a recessed on/off switch. 50-20 kHz response. Requires 9-52 Vdc phantom power or internal 9 volt battery and includes SA43 stand adapter.
Technical Description
Frequency Range: 50 Hz to 20 kHz
Polar Pattern: Cardioid, Hypercardioid with PPC 1000 mounted
Sensitivity: 6 mV/Pa (-45 dBV)
Impedance: 200 ohms
Maximum SPL FOR 0.5% THD: 137 dB
Equivalent Noise Level: 19 dB-A
Size: 34 ø x 220 mm (1.3 ø x 8.7 in.)
Weight (Net): 275 g (9.7 oz.)
Weight (Shipping): 820 g (1.8 lbs.)
Street price: $200
For more information on podcasting, visit my site podcastingtricks.com.
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Audio
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