Four short links: 1 July 2009

Web Awards, Speed Thrills, Magazines in the Cloud, Augmented Reality

1. The Onyas -- New Zealand web design awards launch, from the people behind Webstock and Full Code Press. The name comes from "good on ya", the highest praise that traditionally taciturn New Zealanders are allowed by law to give.
2. The Year of Business Metrics: Don't make your users run away! -- wrapup of the Velocity conference. AOL: Users who had a slower experience view far fewer pages. Some interesting notes on performance from a Google-Bing study: Notice that as the delays get longer the Time To Click increases at a more extreme rate (1000ms increases by 1900ms). The theory is that the user gets distracted and unengaged in the page. In other words, they've lost the user's full attention and have to get it back. [...] As much as five weeks later, some users, especially those who saw delays greater than 400MS, were still searching less than before. (via timoreilly on Twitter)
3. Printcasting -- very simple content management system for print magazines that lets anyone start a magazine, add content, sign up contributors, sell ads, and go. Clever!
4. Pachube Augmented Reality Hack -- sexy hack that pushes all my buttons: computer vision, Arduino, sensor network, ubiquitous computing, pervasive alternate reality cyborg villians with chalk designs hellbent on world domination and the enslavement of the human race to use as meatsack AA batteries for their sex toys. Okay, four out of five ain't bad. (via bruces on Twitter)

A Graphic Designer Puts Print on Demand Through Its Paces

A report on the UnderConsideration blog outlines a fascinating experiment called Dear Lulu. From the blog coverage:

This past July, fourteen students attended a two-day workshop at Germany's Hochschule Darmstadt University of Applied Sciences with Prof. Frank Philippin and London-based designer James Goggin. The brief, as explained by Goggin:

"My plan for the workshop is to investigate the visible and tangible parameters of graphic design — type specimens, halftone screens and, in particular, colour tests and calibration charts — and make a book of our own self-produced tests which we will send to print on Friday afternoon using the online print-on-demand system Lulu. The book project will therefore act as a colour/type/pattern test of the very system with which it is produced. "Print-on-demand" is an increasingly important production system which can serve to make us designers rethink the impact our profession has on the environment and to question the often wasteful print volumes and production methods requested of us by our clients. Graphic designers, and especially students, have a chance to use and subvert these relatively new (and fairly cheap) technological systems to our advantage."

The result of the workshop is Dear Lulu, a fantastic and imaginative resource that puts digital printing to the test through a Do-It-Yourself presentation that fits right in with philosophy of print on demand that makes it such an alluring proposition for designers looking to publish with little financial risk and with pretty decent results in return.

The report is not only a fascinating analysis of how far Print on Demand has come, but also a great tool for evaluating printers in general, as the output of the process is a book designed to stress the capabilities of any printer. As Amrita Chandra wrote on twitter in response to my post there, "what is great is you can send the book to other printers for comparison."

Food for thought for research firms: what if the output of a research firm were not just a report but a tool for putting a company's own systems through its paces, evaluating against the standards outlined in the report?