Entries tagged with “library” from Tools of Change for Publishing
Harvard Won't Permit Google Scans of In-Copyright Material
Mac Slocum
October 31, 2008
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Harvard University Library (HUL) has been a partner in Google's library scanning project since 2004, but the boundaries of that partnership will not expand to the in-copyright works covered under Google's new Book Search settlement. From the Harvard Crimson:
In a letter released to library staff, University Library Director Robert C. Darnton '60 said that uncertainties in the settlement made it impossible for HUL to participate.
"As we understand it, the settlement contains too many potential limitations on access to and use of the books by members of the higher education community and by patrons of public libraries," Darnton wrote.
"The settlement provides no assurance that the prices charged for access will be reasonable," Darnton added, "especially since the subscription services will have no real competitors [and] the scope of access to the digitized books is in various ways both limited and uncertain."
The Crimson notes that Harvard will continue to allow scanning of books with expired copyrights.
Connecting the Dots Between Google Book Search and Android
Peter Brantley
October 31, 2008
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Ed Nawotka of Beyond Hall 8 discusses the possibility that the Google Book Search settlement permits them to envision product delivery through Android-capable devices:
Perhaps most important of all is how this cements Google as the industry leader in the distribution of digital books. Sure, there's Amazon with its Kindle...and the Sony E-reader...each with hundreds of thousands of titles available. But what happens when Google links its open source Android operating system -- now powering cellphones -- to the Google Book Search? You will, quite literally, have a library in the palm of your hand.
Libraries Embrace Urban Lit
Peter Brantley
October 23, 2008
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Great story in the New York Times on the embrace of urban lit by the Queens Public Library, and others. By the way: most of the young, and many of the old, librarians that i know are not ... ur ... prim:
It's not the kind of literary fare usually associated with the prim image of librarians. But public libraries from Queens, the highest-circulation library system in the country, to York County in central Pennsylvania, are embracing urban fiction as an exciting, if sometimes controversial, way to draw new people into reading rooms, spread literacy and reflect and explore the interests and concerns of the public they serve.
Urban fiction's journey from street vendors to library shelves and six-figure book deals is a case of culture bubbling from the bottom up. That is especially true in New York, where the genre, like hip-hop music, was developed by, for and about people in southeast Queens and other mostly black neighborhoods that have struggled with drugs, crime and economic stagnation.
A Plea for Passion in Museums
Peter Brantley
September 30, 2008
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This is a great post about passion for when we talk about our profession, about what we are all trying to do, whether we are librarians, technologists, publishers, or work in museums. It speaks to why libraries and museums often feel "dead." From Museum 2.0:
Museums shy away from presenting passionate views. It's ironic that we expect visitors to fall in love with our artifacts and exhibitions without ever presenting Bela-like models for that kind of passion. I think there are many visitors who wander into museums the same way they'd wander into a foreign sporting event -- they don't know what's going on, why people care, and most importantly, why they should care. At a sporting event, there are little Belas everywhere yelling at refs and hooting with glee. By following the cheering, newcomers can start to understand what parts of the game are most valued, and get a window into the deep love some fans show for the sport.
Museums don't have a cheering section. As visitors walk through galleries, it's easy to wonder: where does this stuff come from? Why is it here? Who cares? Museums do a decent job addressing the first two questions, but we rarely tackle the third. The use of an "objective" authoritative voice makes it hard for visitors to assign value or significance to items with which they don't already have a connection.
Library Uses Tags to Link Online-Offline Recommendations
Peter Brantley
September 18, 2008
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LibraryTechNZ mentions an interesting engagement of a European library with its community, something that bookstores could also do:
The library at the Hague in the Netherlands has introduced a simple form of tagging in real life. They now have two returns drop-boxes. One is for all items, and the other is for amazing books. Staff take the 'amazing' books and put them in the 'amazing books' display for visitors to browse. But they also tag them 'amazing' in the Library's collection database.
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