Entries tagged with “digital books” from Tools of Change for Publishing
At TOC: A Different Way of Doing Booth Books
Andrew Savikas
February 9, 2009
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At most of our conferences, we sell books from our booth, and last year's TOC Conference was no exception. This year we're trying something a bit different -- including a way to browse those books virtually:
- Test drive the Espresso Book Machine. Near the O'Reilly booth we've arranged a very special debut of the 2nd-generation EBM, and pre-loaded it with about 10 O'Reilly titles (including keynoter Jeff Jarvis' new book, What Would Google Do?, and a special "Best of TOC" compilation of some of the best writing from the past year about the future of publishing from our blog and around the Web.) You can buy any of the available titles, and have it printed on the spot. We did our best to pick titles that were well-suited to the Espresso.
- Try all the books on Safari. You'll hear a lot about digital books and reading at TOC, and while standalone ebooks and devices are a hot topic, Safari Books Online has been delivering subscription-based access to digital books for nearly a decade. We've set up something special for TOC attendees, and started off your virtual "bookshelf" with 10 of the titles on display at the O'Reilly booth. It's a chance to experience a successful digital delivery model (now on your mobile phone too) while exploring thousands of books, videos, and articles.
The EBM is brand new, so thanks in advance for your patience when checking it out -- it'll be on display next to the O'Reilly booth in the exhibitor room next to the main ballroom. The exhibit space is open from 10 am - 4 pm on Tuesday (plus the exhibitor reception from 6-7:30 pm), and then 10am - 5pm on Wednesday.
Safari Books Online Goes Mobile
Allen Noren
February 9, 2009
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Like much of the publishing world, I'm eager to hear about Amazon's latest version of the Kindle. But that's not the only news today. I'm sitting here at TOC and talking to John Chodacki from Safari Books Online and, with a smile on his face, he's showing me beta version of m.safaribooksonline.com. (In full disclosure, Safari is a joint venture between O'Reilly and Pearson.)
The smile is well deserved. It looks great, it's fast, and I love the stripped-down navigation and lack of clutter. It's got a couple of bugs, and I don't like that I can't read our highly designed Head First books, but it's a Beta.
The mobile version will be released on 23 February, and if you're a Safari subscriber and have feedback, send it to safarimobile AT safaribooksonline DOT com. If you're not already a subscriber, you can get a free trial.
iPhone App Outperforms Most Print (Computer) Books This Holiday Season
Andrew Savikas
January 7, 2009
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Conventional wisdom suggests that when choosing pilot projects, you pick ones with a high likelihood of success. It's hard to argue that iPhone: The Missing Manual was a reasonable choice for testing the iPhone App waters. But while we knew it would do well, we've been quite pleased with just how well:
- If the iPhone App by itself had been a book, it would be a top 10 seller in BookScan for Computer Books this holiday season, based on just 17 days of sales
- The print version appears to have been unaffected, retaining a solid position in the top 3 for Computer Books in BookScan
- A full 1/3 of those buying the app are outside the US, mostly in countries where the print book is not readily available
There are certainly some who don't care for the book-as-app approach, preferring the library model (where one app enables reading multiple titles). It's also clear there's substantial customer interest in both options, and we strongly believe that offering a variety of options and letting customers choose is the right approach. This is a time for experimentation, and we'll be doing quite a bit more of it (format, pricing, content) in the digital -- and especially mobile -- space in the coming months.
New Tech Mixes Book Experience with Sensors
Peter Brantley
December 15, 2008
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A new form of hybrid book is coming on the market -- and the inventor consults with Apple. From the Guardian UK:
Lyndsay Williams -- who has already developed the PC sound card, SmartQuill, and SenseCam -- is now working on SenseBooks, and the first of a series will be published next year.
SenseBooks are a hybrid of paper and computer intelligence, and will have MP3 quality audio from an ARM processor and a gigabyte of storage. Williams says SenseBooks "will know when the user picks up the book and looks at a page":
A proximity sensor detects this and can light up pages or make music. What is also useful is the book has sensors to know what page it is on, can send a wireless message to a PC and open up a web page with more information on. Current applications include children's teaching books, music books, cookery books etc.
The Analog Hole: Another Argument Against DRM
Liza Daly
October 23, 2008
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Digital rights management (DRM) might be unpopular with the public and plagued with social and technical challenges, but at least it's a guarantee that digital books can't be pirated — right?
Not so fast. Experienced computer crackers will find weaknesses in any encryption scheme, but regular folks with basic computer skills can exploit the one weakness found in all DRM'ed media: the analog hole.
What is the Analog Hole?
The "analog hole" reflects a basic principle of physics: before humans can consume any digital media, the ones and zeroes that computers understand must be converted into an analog format that our senses can perceive. For music, it's sound waves; for video and for digital books, it's patterns of light.
If you've ever visited a major metropolitan city you've probably seen the analog hole in action: street vendors selling pirated copies of popular movies, often months before they're officially released on DVD. Most of these are "cam" films, shot in real movie theaters using camcorders. Even without access to a physical copy of the film, pirates are able to capture its analog expression: the sound and pictures as perceived by a theater-goer.
In music, the analog hole is often used to get around software preventing digital copying. A user simply plays the the desired song on their computer using the legal DRM-enabled software, and records the audio coming out of their computer. Now they have a copy of the sound recording, which can be re-imported into the computer and digitally-encoded, with the original DRM stripped out. (A similar principle is at work when DRM systems go defunct and users are told to pirate their own music, although the industry uses the euphemism "making a backup.")
Film and music companies are painfully aware of the analog hole and have taken steps to close it, either by monitoring patron behavior (as in movie theaters) or by petitioning to legally limit the recording features of consumer electronics.
Because reading is a visual experience, there is the possibility of an analog hole exploit. Unlike with camcorder copies or re-burned MP3s, there is a potential for no loss in quality. And with a little ingenuity, the process can be completely automatic.
One example: Ebooks and Optical Character Recognition (OCR)
Here's a sample digital book as displayed in Adobe Digital Editions. (This book is public domain and isn't technically covered by DRM, but the principle is exactly the same.)
I hid as much of the Digital Editions menus as I could and took a screenshot of this first page of Pride and Prejudice.
Next I downloaded some free optical character recognition (OCR) software. OCR programs can "read" images and output the words in them as plain text. It's a normal part of digitization projects, in which archival printed material is first scanned and its text is automatically extracted. At the consumer level, OCR software is often bundled with commercial scanners and fax machines.
I took my screenshot and fed it to the OCR software. Here's what I got without any special fine-tuning or spell-checking. Note that all typos are from the OCR software.
Chapter 1
It is a truth universally acknowledged, that a single man in possession ofa large fortune must be in want of a wife, However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of someone or other of their daughters.
"My dear Mr. Bennet," said his lady to him one day, "have you heard that Netherfield Park is let at last?"
Mr. Bennet replied that he had not.
...and on through the entire first page. This output was in HTML, ready to be posted to the Web for anyone to read.
The OCR isn't 100 percent accurate, of course, but neither are the widely-available pirated ebooks created by laborious scanning of physical books, page after page. I was also using free software that requires careful fine-tuning to get working optimally; commercial OCR software is much better, especially when combined with spell-checking.
It wouldn't be difficult to automate the process of advancing one page in Digital Editions, taking a screenshot, and passing that on to my OCR software. Once the workflow was in place, I could strip hundreds or thousands of books of their DRM in a matter of minutes.
Another Possibility: Speech Recognition
My local library is kind enough to allow me to check out digital audiobooks. Naturally they're also secured with DRM (so much so that I can't actually play them, as they require Windows Media Player and I have only Mac and Linux computers). But assuming I could play them, I'd have available to me a nice stream of professionally-produced audio.
You're using speech recognition software every time you call a customer service line and an automated voice prompts you to speak your credit card number. If that's happened to you, you also know that speech recognition isn't 100 percent accurate yet, but under certain conditions it can be quite good. Automatic speech-to-text transcription isn't nearly as far along as optical character recognition, but it's another analog hole exploit that will eventually become trivial to perform.
Does This Mean Publishers Shouldn't Produce Ebooks or Audiobooks?
No! What I hope to convey is that DRM is not a true safeguard against ebook piracy. (It is, however, a known deterrent to ebook adoption.) I've heard a lot of passing the buck on DRM: publishers claim authors want it, booksellers claim publishers insist on it. These days it's hard to find someone to publicly state that they're actually for it.
I think of DRM like this: years ago my apartment was broken into and I called a locksmith to replace the door. My landlord had authorized me to get "the best lock possible," and the locksmith obliged with a four-foot steel bolt. It was almost too heavy to turn but made a very satisfying noise when it snapped shut.
I asked the locksmith, "Is this really unbreakable?"
"The lock is, sure." He slapped the door frame. "But this is made out of wood. If I really wanted to get in I'd just kick out the door. That's why I'm honest about what I sell." When I looked puzzled he handed me his business card. It contained his name, phone number, and company slogan: "A feeling of security."
Authors and publishers should be compensated for their talent and their hard work, and the desire for DRM is understandable. Book lovers, too, want their favorite authors to succeed. But digital books are a form of technology as much as they are literature, and technologies that are successful adapt to people's needs. Is just a "feeling" of security worth the ire of good customers who want to read their books wherever and however they like?
Storytelling Through Book Spines
Mac Slocum
September 26, 2008
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The Sorted Books project puts book spines to work as storytelling devices:
The process is the same in every case: culling through a collection of books, pulling particular titles, and eventually grouping the books into clusters so that the titles can be read in sequence, from top to bottom. The final results are shown either as photographs of the book clusters or as the actual stacks themselves, shown on the shelves of the library they were drawn from. Taken as a whole, the clusters from each sorting aim to examine that particular library's focus, idiosyncrasies, and inconsistencies -- a cross-section of that library's holdings.
I'd love to see a mash-up combining Sorted Book projects, outsourced book cataloging, and a customizable Web interface.
(Via Boing Boing and Shelf Awareness)
News Roundup: The Crowdsourced Cat Book, Infinite Permutations of the Digital Book, EBay vs. Amazon (Round 2)
Mac Slocum
August 22, 2008
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Amazing but True Cat Stories is a 38-page coffee table book born from the combined efforts of Mechanical Turk contributors. The creator/editor of the book, Björn Hartmann, describes the genesis of the project on his blog:
The idea for this book was born in Terminal A at Washington Dulles, where I was stranded for some hours in late July 2008. To spend my time, I posted the following two tasks on MTurk:
1. What's the craziest thing your cat has ever done? Write at least one paragraph about a funny, unbelievable or otherwise memorable incident involving your cat. This should be a real story that happened to you or your family.
2. Sketch a cat. With or without an environment and toys. The cat can be drawn in software or on paper. Do not upload photographs of cats. Have fun! (Continue reading)
Infinite Permutations of the Digital Book
James Bridle discusses the near infinite malleability of digital books. From booktwo.org:
Imagine a book that told a different story every time it was opened. The story might change depending on the gender of the reader, or the sex. It might depend on the location of the reader, or the position of the book in time; the time of day, or time in years. Centuries might pass before the book tells the same story again. (Continue reading)
EBay is moving into Amazon's territory. Citing reduced consumer interest in online auctions, eBay is refocusing on fixed-price "Buy It Now" products. From the New York Times:
Among the changes being announced Wednesday [8/20/08] is a new pricing plan for sellers who offer fixed-price items in eBay's "Buy It Now" format. Starting in mid-September, sellers will pay only 35 cents to list an item for 30 days, a reduction of about 70 percent in upfront fees. EBay also announced that it would no longer allow most customers to pay by check or cash, a change aimed at curbing fraud. Users will need to pay with a credit card or through eBay's PayPal online payment service.
Direct competition between eBay and Amazon is nothing new. Amazon tried to capitalize on eBay's success by launching its own auction business in 1999, but by 2001 it had scaled back its auction efforts.
EFF Looks at the Big Questions Surrounding Digital Books
Peter Brantley
August 19, 2008
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At the Electronic Frontier Foundation (EFF), a post on what the future of digital books portends for pubishers and consumers:
Skeptics should remember that it wasn't long ago that many predicted that CDs would never replace vinyl, and later that MP3s would never replace CDs. You can still find great record stores that specialize in vinyl, but the trend towards digital music has been steady and unstoppable. And the music industry has paid a huge price for their failure to embrace the new technology. After first ignoring new technologies, they then proceeded to try to sue innovators, restrict users with DRM copy protection and then punish fans with indiscriminate lawsuits, none of which did a thing to stop online sharing of music. Sales are down, illegal filesharing is up, and no one has found a way to unite the industry around monetizing the sharing of digital music (though EFF has suggested a Better Way Forward).
Will the same thing happen to the publishing industry as books become digital? If the trend continues, with better devices promising longer battery life and better screen resolution, digital books will become a force to be reckoned with. Are we doomed to watch the publishing industry run through the same gamut of bad decisions that have plagued the recording industry for the last few years?
Infinite Permutations of the Digital Book
Peter Brantley
August 19, 2008
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James Bridle discusses the near infinite malleability of digital books. From booktwo.org:
Imagine a book that told a different story every time it was opened. The story might change depending on the gender of the reader, or the sex. It might depend on the location of the reader, or the position of the book in time; the time of day, or time in years. Centuries might pass before the book tells the same story again.
The nature of the web makes such a book possible. Immediately, a simple reading of the user-agent to determine the reader's operating system and browser could be used to present each with a different version, breaking the narrative along several general pathways. Sections could be hidden or revealed by simple manipulation of the layout.
Reinventing the Book and Killing It are Separate Things
Mac Slocum
August 11, 2008
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Richard Cohen has a bone to pick with Amazon, the Kindle, digital books, and anyone who threatens the welfare of bookstores, children and unknown literature. From Cohen's Washington Post column:
... over at Amazon they are inadvertently thinking of ways to make the world worse for children and for the grown-ups who love them to pieces. What Jeffrey P. Bezos, Amazon's founder, wants more than anything is to do away with the book as we know it. "Jeff once said that he couldn't imagine anything more important than reinventing the book," said Steven Kessel, one of Bezos's top guys. Kessel is in charge of digitizing everything in sight.
Nothing more important than reinventing the book? Not ending world hunger? Not taking Rush Limbaugh off the air? None of these? What's wrong with the book? I understand that it's bulky and expensive to ship and that it entails the consumption of paper, which is probably not green, but then what is? The book has been around for a very long time (Google the exact number of years, please), and I love it so.
Cohen's column adheres to the "book lover overreaction" we've discussed previously. Market forces and changing consumer tastes may indeed signal the end of traditional bookstores, and that's something to lament and fight against. But this idea that digital books have been set loose by entrepreneurial masterminds -- diabolical sorts intent on destroying the print universe -- is overwrought. "Reinventing" the book is not synonymous with "killing the print book." Digital books are nothing more than alternative delivery mechanisms for content. Their intent (if ebooks can have intent) is to expand choice, not eradicate the printed volume.
I can't tell if Cohen is saying goodbye to print books or bookstores or some combination of the two. His column is clearly a cathartic exercise, not a market analysis, but the association he seems to make between a downturn in bookstores and the rise of digital books is incorrect. Bookstores are in decline partly because consumers are purchasing their core product -- print books -- through online retailers like Amazon. Ebooks may eventually achieve widespread adoption and, by extension, lead to the shuttering of traditional bookstores, but that's not currently the case.
Publishing Industry Not Prepared for "iPod Moment"
Mac Slocum
June 6, 2008
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From Times Emit:
... in the light of consumer demand, there is actually very little [ebook] supply - then surely an "iPod for books" moment could actually be a disaster for the publishing industry, forcing keen and hungry consumers to find their electronic content from other (possibly illegal) sources - as with happened with the ipod moment for, um, music?
Open Question: When Will Digital Books Overtake Print Books?
Mac Slocum
May 27, 2008
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We often discuss publishing's digital transition as though it's manifest destiny, but rarely do we see firm forecasts as to when (or if) this transition will occur.
Mike Shatzkin touched on this topic during a recent discussion on the Read 20 list:
We are going to have a bifurcated market for a while. The heavy users of 2.0 tools, including social networks, will tend to skew to "younger" and "techier." They will both go for the modern products and be marketed to by the modern means. The legacy market, of people reading plain old books in paper and then the same plain old books on Kindles and other screens, will remain where the money is for published content for some years, certainly at least one decade, to come. (Posted here with Mike's permission)
I'm interested in hearing what TOC readers think of the following:
- Do you believe digital books will supplant printed books?
- If no, why? If yes, when will it happen?
Please share your answers and thoughts in the comments area.
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