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Aperture on the Road and at Home
As a nature photographer, I travel a lot and depend on Aperture and my MacBook Pro while on the road. There’s no doubt in my mind that using Aperture is the most efficient way to manage my images - both sorting through them as well as optimizing them. But it’s taken me awhile to settle into a routine for the most efficient way to transfer my images from Aperture on my laptop to Aperture on my desktop at home. Lots of people have lots of different workflows they follow and I think I’ve probably experimented with every combination and permutation of managed and referenced files, copying memory cards to external drives as backups, creating a vault on a backup drive, etc. Directly connecting the two computers in T mode isn’t efficient because you can’t transfer the project directly from the laptop into Aperture on the desktop - it takes two steps, one exporting the project from the laptop and then importing it into Aperture on the main computer.
The obvious (which clearly wasn’t so obvious to me) solution is that each day while on the road I export the project, with managed files, to my backup drive. (Actually I have two backup portable drives and maintain a vault on one.) Then when I arrive home, I connect the backup drive containing the project, to my home computer, open Aperture and import the project into my main computer. One step - easy and efficient. By doing it this way, I take advantage of any and all editing that I did on the road, have backups for safety sake while on the road, and it cuts down the time it takes to get the project onto my main computer.
The issue that remains is what to do with the project that’s still on the laptop. Obviously I can’t leave all the managed files there because after several trips the hard drive would be full. But I like having access to some of my shots from recent trips both to show other people I meet while traveling what I’ve been doing, as well as to use for impromptu slideshows or to illustrate talks, etc. Currently I’m experimenting with several approaches. One is to keep the project on the laptop but delete any images with less than a 4 or 5 star rating from the laptop version of the project. Another is to create a yearly “Best Of” project that I copy some of my favorite images into from each shoot, and then delete the original project. A third possibility is to relocate the masters for the laptop to a hard drive, so that only the previews remain. I haven’t settled on an ideal solution but am leaning towards the first one. I’m open to input and suggestions from those of you who also balance using Aperture in the field as well as in an office/home.

Ellen - Do you do keywording on your laptop prior to export? And if so, how do you handle keeping the keyword hierarchies in sync between the two computers? I know the keywords are stored in:
~/Library/Application Support/Aperture/Keywords.plist
I suppose I could just occasionally copy that file from one machine to another via file sharing (or do the whole Export/Import dance from the Keyword HUD), but I'm wondering if you've found a better way. This seems to be the one area where the whole process of using Aperture on two different machines requires more manual effort than I'd like. Here's hoping that future versions of Aperture will allow me to sync my keyword hierarchies in some sort of automated fashion.
Thanks
The way I move images in Aperture between my MacBook and my iMac is with an application called Chronosync. This works well in updating the target Mac so that it is only a one step process. It should be set up, however, so that you are moving files in one direction - not truly syncing.
@Dudly:
When I get home I export what I have done on the trip as an Approject to my portable harddrive via firewire and then plug it into my iMac and use Aperture to import it from the same drive. I find that this takes less time than to move the file wirelessly. as my backups are on the portable drive I drag and drop them to the iMac.
Chronosync is great for keeping my MBP and iMac files synced because you can exclude the files that are unique to each machine.
I use Chronosync for all my backups.
BTW Sonnet has a great cardreader which fits into the express slot on the MBP and sticks out so little that you can leave it there.
Cheers:
Bob
>...to show other people I meet while traveling what I’ve been doing, as well as to use for impromptu slideshows or to illustrate talks, etc.
Isn't this what web exports are all about, creating the viewing experience everywhere??
I can see your problem if you are doing Aperture training, but screen resolution slide shows are tiny...
This is how I'm going to use it,,,portable for some heavy lifting, then place everything on the BIG box, exporting the viewing experience as formatted portable shows.
Cheers,
-Steve
PS - I keep a locked and more importantly, -controlled- word keyword library. I modified this to suite:
http://www.controlledvocabulary.com/products/aperture.html
I have been a longtime fan of your books and comments. As an avid hobbyist and fan of Appleophile, I purchased and upgraded Aperture use it to modify my photos. I am trying to learn it from top to toe, but as a full-time physician, I don't have as much time as it takes. My question to you should be issimple. Per the enclosed article, you back up each day's project onto a vault on one external drive and to another ext HD. Do you just drag the project onto the latter or do you open the project and export all the pictures? If so, is there a mechanism for exporting the RAW files and the metadata or do you export them in some other form? Thanks for your help. I promise not to pester you, but I trust your advice. Do you and your son plan to publish an upgraded text to using Aperture 2.x?
Bob, first of all thank you for your kind words. Asking questions isn't pestering!
The way I've been backing up the projects is to to click on the project in Aperture and choose File > Export Project. Then I choose the external drive from the popup menu that appears. That way all the metadata is transferred as well as the RAW files.
I have a 7+ hour video training series on Aperture 2 available from www.vtc.com . The first three chapters are free. You can access the course online or opt to buy the CD. Josh and I don't have updated print material at this point - although we certainly hope and plan to offer more written materials for Aperture in the future. If you have specific requests please let us know.
Thanks,
Ellen