Inside Aperture

Digital Media | Spotlight: Photography | Inside Aperture | Blogs

What Makes Me Smile in Aperture


I’ve been working on a video tutorial series for Aperture and in the course of creating each tutorial I often rediscover some of the little and not so little gems that make Aperture so outstanding. It’s easy to become complacent and take things for granted, focus on what needs to be improved, and then whine when another product announces the intent to include a feature that seems better than what Aperture has right now (never mind that the other software doesn’t currently contain those things either.) So this week what I want to do is focus on some of the things I appreciate the most in Aperture and ask you all what features in Aperture are on your top three (or more) list? (By the way this list is not in any particular order.)

I love the ability to quickly see my images after I import them, then within seconds adjust a few sliders and/or check a 100% magnified view to know for sure whether it’s a keeper, and then continue editing the other images in the project. That’s a compilation of several features I realize, but it lets me work efficiently and doesn’t force me to leave the main interface. This is probably my number one favorite aspect of Aperture.

I also appreciate that Aperture recognizes that we photographers might have different ideas about what’s the ideal configuration for our workspace at any one moment and makes it easy to change views with a single click. In fact the overall customizability of the interface is truly impressive. (Here’s a tip, by the way, take advantage of the option to include different icons in the tool bar and place them where it’s most convenient to you. You’ll work even faster. )

It goes almost without saying that I completely take for granted and love the ability to create numerous versions of an image without creating an additional master file unless I use a plug-in or external editor. And I appreciate that Aperture keeps those versions together for me but lets me create albums and smart albums to view different subsets of my images as I choose.

Of course none of the above would matter if the quality of the adjustments was not excellent. The tools in the Adjustment Inspector are easy to use and enable high quality output. Some of the new tools such as Retouch, Definition and the Selective Color eyedropper are truly outstanding.

And speaking of output, I rely on the ease of creating emails with the pictures embedded, ready to go with my watermark applied. And recently I’ve started relying on the web galleries for submissions and transferring images to clients. I can’t imagine a more efficient way to send images.

And for now the last feature I’ll mention is the ease of using images in other applications, particularly iWork and iLife apps.

There are a lot of other features - some little seemingly insignificant things - that also make me smile as I work. Maybe I’ll mention more about them in a future blog. For example, have you noticed the slight animation in the sliders in the Adjustment Inspector and HUD?





AddThis Social Bookmark Button
Comments (6)

6 Comments

Anonymous said:

I just found this blog, and as a new aperture user, thank you! I love aperture 2.1 but wondered if you know how to selectively remove color? I find that sometimes in a portrait there is a greenish tinge in the shadows around the face. When I try to remove it it reduces the green in the whole face which I don't always want. If you can give me a solution I would be grateful!

Ellen Anon said:

The first thing I would suggest is to use the tint wheels and choose the one for shadows. It operates like a joy stick - just drag the center circle to That should work for you, and if necessary use the middle tint wheel as well. another spot in the colorwheel. To reset it double click. However if that doesn't work (and I assume you've used the white balance tint slider) you could try using the selective color eyedropper and clicking the problem area. Then reduce the range and adjust the other sliders. If that still doesn't give you the results you're looking for, then either open it in PS or Elements and use a layer mask, or use one of the plug-ins such as Viveza.

David Medina said:

I believe there are several way to correct the color cast you are taking about,

(1) Under the enhance, there is "Tint". This allows you to fine tune color cast corrections.

(2) The new Nik Viveza plugin would be the best tool for what you are talking about. You can download a trial at Nik Software and work your magic.

With the Viveza you can select the specific tone/area and adjust the hue as well as each individual color to the area. And because you control the specific range where you wish to apply the correction it won't affect any other area.

Some of my favorite features are:

(1) Light Table
(2) Smart Albums
(3) the new HUD
(4) Full Screen
(5) New preview mode

Mark Thomas said:

I think my favorite Aperture feature is that it's non-modal. I can adjust, keyframe, build albums etc. all from the same place in the GUI. There's no need to be constantly switching between modules. I don't understand how any of the very bright people behind Lightroom could have thought making Lightroom modal was a good idea.

Michael Martin said:

I like the book creation facility but would really like to be able to view the book pages in a demo mode (full screen) so that a client can see what I want them to see and not all the other part of interface around it. It would be so much more impressive than plain pdf pages.


WetcoastBob said:

I use the gallery a lot for people to download images but many people do not understand that the pics are on the internet and not in the e-mail. Many do not understand that when you click on download you can "download" an image. Beats me why not.

Leave a comment


Recommended for You

Tag Cloud

Stay Connected